A more detailed look at an iai practice

Tonight's iaido practice was a rather intensive one, and for me it was a bit like going back to another club in the way it wasdone. Warmup started with a bit too quick a run for my tastes - it is supposed to be a warmup, and one starts slow, and then builds on that. But I did not lead it, so I had to follow. It was a rather good, all-round practice, with a lot of cutting excercises. About 200 cuts were made, with our iaito, only in excercises, and not counting warmups or kata. After running and abit of limbering up, we made the regular owing and mokuso (a sort of meditation for focusing) and so on, and then we did warmup cutting. Here, again, the pace was too quick in the beginning, but I must also point out that my sword is rather heavy, and I cannot cut as quickly as I ought to, at least if one looks to the combination of heavy sword and my injured shoulder. Cutting can be done in many ways. From standing positions, to turning and cutting. It is good to make certain one varies it as much as possible. The kata for this practice was, to begin with, one from the Zen Nippon Kendo Renmei (ZNKR) Seitei set of kata, number six, or ropponme: Morote-tsuki. After several repetitions (which was very good, as it allowed me to focus on it and go deeper into what I was doing and how and what I could do to make it better), we moved on to koryu, Musou Shinden Ryu Shoden kata, the first four, which are all from a sitting (seiza) position. I have been doing them for quite some time now, another there for as long if not longer, and the others for varying degrees of shorter time, between a few years to merely a few weeks. Why can iaidoka always practice with eachother? (More or less). Well, because regardless of how far you have come, the basics are always worth coming back to, again and again. And because there is no such thing as "leaving old kata behind". Now, there are many things to take into account when doing those seemingly simple kata. They are the four first, why would they be so complicated? Doesn't that sort of thing usually wait? No, not really. They contain several very important details. How you draw your sword is a basic skill, to do the essence of iai, and then protecting yourself when you lift your sword from nukitsuke to kiritsuke position... and so on. And the timing, especially - you cannot simply wave your sword around, you have to think about when, exactly, you do so. And the more you learn, the more you think, before something just fades away and becomes second nature (after which of course something new takes up the thoughts), and the more you use your muscles. Koryu requires more energy than Seitei kata, and I usually come away sweating quite profusely (which is uncommon for me!). The practice finished up with some cutting exercises again, standing still and moving, and then the usual wrapups. I took care to shower in cold water, as it really does make a difference (thank you Matthew of Genbukan Edinburgh for that insight!), and do some stretching. And eat a reasonably dark sandwich loaded with thin slices of ham, cheese and mushrooms. And then a half flapjack I had left since Saturday. And that, my readers, is why I am all cheery and babbling away. Before practice, I was half sick with terror and wanted to run home and hide again, but as soon as I get moving, it all falls into place!